This checklist can be taken to the building and used to identify
those aspects that give the building and setting its essential
visual qualities and character. This checklist consists of a series
of questions that are designed to help in identifying those things
that contribute to a building's character. The use of this checklist
involves the threestep process of looking for: 1) the overall
visual aspects, 2) the visual character at close range, and 3)
the visual character of interior spaces, features and finishes.
Because this is a process to identify architectural character,
it does not address those intangible qualities that give a property
or building or its contents its historic significance, instead
this checklist is organized on the assumption that historic significance
is embodied in those tangible aspects that include the building's
setting, its form and fabric.
STEP ONE
1. Shape
What is there about the form or shape of the building that gives
the building its identity? Is the shape distinctive in relation
to the neighboring buildings? Is it simply a low, squat box, or
is it a tall, narrow building with a corner tower? Is the shape
highly consistent with its neighbors? Is the shape so complicated
because of wings, or ells, or differences in height, that its
complexity is important to its character? Conversely, is the shape
so simple or plain that adding a feature like a porch would change
that character? Does the shape convey its historic function as
in smoke stacks or silos?
Notes on the Shape or Form of the Building:
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2. Roof and Roof Features
Does the roof shape or its steep (or shallow) slope contribute
to the building's character? Does the fact that the roof is highly
visible (or not visible at all) contribute to the architectural
identity of the building? Are certain roof features important
to the profile of the building against the sky or its background,
such as cupolas, multiple chimneys, dormers, cresting, or weather vanes?
Are the roofing materials or their colors or their patterns (such
as patterned slates) more noticeable than the shape or slope of
the roof?
Notes on the Roof and Roof Features:
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3. Openings
Is there a rhythm or pattern to the arrangement of windows or
other openings in the walls; like the rhythm of windows in a factory
building, or a threepart window in the front bay of a house; or
is there a noticeable relationship between the width of the window
openings and the wall space between the window openings? Are there
distinctive openings, like a large arched entranceway, or decorative
window lintels that accentuate the importance the window openings,
or unusually shaped windows, or patterned window sash, like small
panes of glass in the windows or doors, that are important to
the character? Is the plainness of the window openings such that
adding shutters or gingerbread trim would radically change its
character? Is there a hierarchy of facades that make the front
windows more important than the side windows? What about those
walls where the absence of windows establishes its own character?
Notes on the Openings:
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