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"Exterior Paint Problems" an Historic Preservation Brief July 6, 2008


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Exterior Paint Problems
on Historic Woodwork

Kay D. Weeks and David W. Look, AIA
Exterior Paint Problems

What's in this article



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Introduction

Purposes of Exterior Paint

Treating Paint Problems

Justification for Paint Removal

Paint Removal Precautions

Repainting Historic Buildings for Cosmetic Reasons

Identification of Exterior Paint Surface Conditions

Recommended Treatments

Selecting the Appropriate/Safest Method to Remove Paint

General Paint Type Recommendations

Conclusion

Selected Reading

Acknowledgements


Return to the Knowledge Base

Introduction

A cautionary approach to paint removal is included in the guidelines to the Secretary of the Interior Standards for Rehabilitation. Removing paints down to bare wood surfaces using harsh methods can permanently damage those surfaces; therefore such methods are not recommended. Also, total removal obliterates evidence of the historical paints and their sequence and architectural context.

This Brief expands on that advice for the architect, building manager, contractor, or homeowner by identifying and describing common types of paint surface conditions and failures, then recommending appropriate treatments for preparing exterior wood surfaces for repainting to assure the best adhesion and greatest durability of the new paint.


Although the Brief focuses on responsible methods of "paint removal," several paint surface conditions will be described which do not require any paint removal, and still others which can be successfully handled by limited paint removal. In all cases, the information is intended to address the concerns related to exterior wood. It will also be generally assumed that, because houses built before 1950 involve one or more layers of lead-based paint, the majority of conditions warranting paint removal will mean dealing with this toxic substance along with the dangers of the paint removal tools and chemical strippers themselves.


Purposes of Exterior Paint

painted exterior surface in good condition
The paint on this exterior decorative feature is sound. Photo: NPS files.
Paint applied to exterior wood must withstand yearly extremes of both temperature and humidity. While never expected to be more than a temporary physical shield--requiring reapplication every 58 years--its importance should not be minimized. Because one of the main causes of wood deterioration is moisture penetration, a primary purpose for painting wood is to exclude such moisture, thereby slowing deterioration not only of a building's exterior siding and decorative features but, ultimately, its underlying structural members. Another important purpose for painting wood is, of course, to define and accent architectural features and to improve appearance.


Treating Paint Problems in Historic Buildings

Exterior paint is constantly deteriorating through the processes of weathering, but in a program of regular maintenance--assuming all other building systems are functioning properly--surfaces can be cleaned, lightly scraped, and hand sanded in preparation for a new finish coat. Unfortunately, these are ideal conditions. More often, complex maintenance problems are inherited by owners of historic buildings, including areas of paint that have failed beyond the point of mere cleaning, scraping, and hand sanding (although much so-called "paint failure" is attributable to interior or exterior moisture problems or surface preparation and application mistakes with previous coats).

inappropriate coating on exterior wood
When the protective and decorative paint finish was removed and an inappropriate clear finish applied, the exterior character of the building was altered. Photo: NPS files.
Although paint problems are by no means unique to historic buildings, treating multiple layers of hardened, brittle paint on complex, ornamental--and possibly fragile--exterior wood surfaces necessarily requires an extremely cautious approach. In the case of recent construction, this level of concern is not needed because the wood is generally less detailed and, in addition, retention of the sequence of paint layers as a partial record of the building's history is not an issue.

When historic buildings are involved, however, a special set of problems arises--varying in complexity depending upon their age, architectural style, historical importance, and physical soundness of the wood--which must be carefully evaluated so that decisions can be made that are sensitive to the longevity of the resource.


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