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"Painting Historic Interiors" an Historic Preservation Brief December 1, 2008


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Painting Historic Interiors

Sara B. Chase
Painting Historic Interiors

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Introduction

Constituents of Historic Paint

Oil-Based and Water-Based Paints

Types of Historic Paints

Pre-1875 Paints

Factory-Made Paints after 1875

20th Century Paints

Paint Investigation

Choosing a Treatment

Identifying Deteriorated and Damaged Paint Surfaces

Surface Preparation

Choosing Modern Paint Types/Finish Coats

Applying Interior Paints

Types of Modern Paint

Summary

Caution

Selected Reading

Organizations

Acknowledgements


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Paint Removal. When should surfaces be completely stripped? Obviously, new paint is wasted when applied on old paint which is loose, that is, extensively damaged and deteriorated. Sometimes paint on an architectural feature needs to be removed if it obscures delicate detailing. For the most part, however, if the surface is intact--and the presence of lead paint has been shown to present no health dangers to building occupants--the existing paint can be overpainted.

Well-adhered, intact paint layers (in at least one area of each room) should be covered with a sturdy protective tape, then painted over with the new paint and left in place to inform future research. The next owner may be interested in the building's past history, and methods of gleaning information from old paints grow more sophisticated all the time.

Heat/Scraping. Propane torches should never be used because they can damage historic wood features. Also, charred areas of wood will not hold the new paint. Use of a heat gun or heat plate may be relatively fast, but has both health and safety drawbacks. Heat oxidizes lead paint, causing poisonous fumes. And old walls may contain fine debris which acts like tinder and smolders when heated, bursting into flame hours after the stripping. (Heat methods are best limited to those interior elements that can be safely removed from the building for stripping and reinstalled). Finally, scraping to remove heatloosened paint may gouge and scar the wood or plaster substrate if not done carefully. Rotary wire brushes cut into wood and should be avoided altogether.

Chemical stripping. Removing paint from wood and plaster features can be done with either caustic strippers (potassium or sodium hydroxide) or solvent strippers (organic compounds such as methylene chloride, methanol, or toluol). Caustic strippers are fairly fast acting, but can weaken wood fibers if left on too long, causing them to raise and separate. They also leave alkaline residues which must be neutralized by an acidic wash (usually white vinegar which contains 4% acetic acid). It is difficult to make the neutralizing 100% effective and, when it is not, chemical reactions between the alkaline residues and the new paint may cause the paint to lose adhesion.

Methylene chloride and other organic compounds are as effective as caustic strippers, but their fumes may be both flammable and toxic. While they may leave wood and plaster surfaces free from harmful residue, the newly cleaned surface must be washed down with mineral spirits or denatured alcohol before priming in order to remove additives, such as wax, that were put in the stripper to retard its drying. All hazard warnings on the labels of chemical strippers should be heeded.

Detergent or vinegar and water. Waterbased paints can usually be scrubbed off with hot water with a detergent added. Calcimine and whitewash are difficult to remove; because of the lime or whiting content (calcium carbonate), however, they can be broken down with acids. While strong acids may work quickly, they are very dangerous. Acetic acid in its most common form, vinegar, (4% acetic acid) is often used instead. In areas where any calcimine remains and is evident as chalk, the area can be coated with white shellac, which provides a stable surface for the new paint.


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