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"Painting Historic Interiors" an Historic Preservation Brief December 1, 2008


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Painting Historic Interiors

Sara B. Chase
Painting Historic Interiors

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Introduction

Constituents of Historic Paint

Oil-Based and Water-Based Paints

Types of Historic Paints

Pre-1875 Paints

Factory-Made Paints after 1875

20th Century Paints

Paint Investigation

Choosing a Treatment

Identifying Deteriorated and Damaged Paint Surfaces

Surface Preparation

Choosing Modern Paint Types/Finish Coats

Applying Interior Paints

Types of Modern Paint

Summary

Caution

Selected Reading

Organizations

Acknowledgements


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Paint Investigation

Understanding each project's historic preservation goal and knowing what level of information needs to be collected to achieve that goal is an important responsibility of the purchaser of the service. Before someone is hired, the owner or manager needs to decide if a thorough investigation of painted surfaces is actually needed, and how to use the results when one is done.

conservator conducting a paint investigation
This conservator is shown collecting paint samples onsite. Then, in a laboratory, an ultra violet light microscope will be used to identify pigment and binding media. Photo: Courtesy, Matt Mosca.

Specialists with both training and field experience conduct paint investigations. These experts use sophisticated instruments and procedures such as field sampling, cross-section analysis, and fluorescent and chemical staining to learn about the components and behaviors of historic paints. In addition, they utilize written documentation, verbal research, and visual information about past painting in the building in conjunction with findings in the field.

Paint investigation can make several contributions to a project. A complete analysis of the paint layers on surfaces within a structure can tell a great deal about the sequence of alterations that have occurred within a building, as well as potentially providing ranges of dates for some of these changes. By establishing a full sequence of paint layers (termed a chromochronology), together with other research, alterations of various building spaces and features can be associated with specific paint layers. It is by establishing this association that the correct layer is identified; when the correct layer has been identified, the color may be matched.

layers of paint
A dark layer can be seen beneath the flaking paint on these raised field panels. Depending on the project work goal and the period of the building's history being interpreted, any one of the paint layers could be duplicated in repainting. Photo: NPS files.

In addition to its archeological value, paint analysis can determine the types and colors of paint on a given surface (identification of thin glazes, decorative paint schemes, binders and pigments). Beyond color identification, then, paint analysis is also recommended to diagnose causes of paint failure. Knowing a paint binder can often explain causes as well as guide appropriate preservation or conservation treatments.

Owners and managers should identify all of these needs before deciding on the extent of analysis. For example, a complete paint investigation is usually recommended as part of an historic structure report. For buildings with little documentation, additions and alterations can often be identified, and possibly dated, through analysis. Often the use of such seemingly expensive techniques can save money in the long run when determining the history of building change.

It is possible to do some analysis on site; this is a much simpler process that can be undertaken for less cost than the complex laboratory procedures described above. However, the usefulness of onsite analysis is limited and the results will not be as precise as results from samples that are analyzed in a laboratory with a good microscope. Any shortcut approaches to paint analysis that do not follow scientific procedures are generally not worth the expense. In summary, if preservation and restoration treatments are being undertaken, a complete investigation is recommended; for a rehabilitation project, onsite analysis and color matching may provide an adequate palette.


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