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"Painting Historic Interiors" an Historic Preservation Brief December 1, 2008


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Painting Historic Interiors

Sara B. Chase
Painting Historic Interiors

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Introduction

Constituents of Historic Paint

        Pigment

        Binder

        Vehicle

Oil-Based and Water-Based Paints

        Recent Changes to Paint Constituents

Types of Historic Paints

        Oil-based paints

              Enamels

              Glaze

        Water-based paints

              Whitewash

              Distemper

              Calcimine, or kalsomine

              Tempera

              Gouache

        Milk-based paint

              Casein

Pre-1875 Paints

        Production and Appearance

        Geographical Variation

        Brush Marks

        Color

        Glossy/Flat

        Decorative Painting

        Graining and marbleizing

        Trompe L'oeil

Factory-Made Paints after 1875

20th Century Paints

Paint Investigation

Choosing a Treatment

        Preservation

        Rehabilitation

        Restoration

Identifying Deteriorated and Damaged Paint Surfaces

        Abrasion

        Dirt

        Water

        Age/Sunlight

        Incompatible Paints

Surface Preparation

        Scraping and Sanding

        Paint Removal

              Heat/Scraping

              Chemical stripping

              Detergent or vinegar and water

              Air pressure

        Patching and Repair

        Priming

Choosing Modern Paint Types/Finish Coats

        Oil-based/alkyd paints

        Acrylic waterborne paints (latex)

        Calcimine/whitewash

        Glazes

        Epoxies/Urethane

Applying Interior Paints

        Brushes

        Rollers

Types of Modern Paint

        Oilbased/alkyd

        Acrylic waterborne paints (latex)

        Enamels

        Metal finishes

        Special finishes

Summary

Caution

Selected Reading

Organizations

Acknowledgements


Return to the Knowledge Base

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Types of Historic Paints

Historic paints were often made with what was available, rather than adhering to strict formulas. Recipes for successful formulas can be found in historic documents, such as newspapers, illustrating the combinations of ingredients which could be used to produce a paint.

Oil-based paints: Linseed oil, a volatile thinner such as turpentine; a hiding pigment (usually white lead) and coloring pigments.

Enamels: natural resin varnish was added to oil-based paint to provide a hard, more glossy surface.

Glaze: a translucent layer applied to protect the paint and to impart a more uniform gloss surface. Usually made from linseed oil with natural resin varnish added. Some glazes have small quantities of tinting pigments such as verdigris or Prussian blue; some had no pigments added.

Water-based paints: Water, pigment, and a binder, such as hide glue, other natural glues, or gums. Usually used on interior plaster surfaces.

Whitewash: often used on interior plaster surfaces in utilitarian spaces and, at times, used on interior beams; consisted of water, slaked lime, salt, and a variety of other materials. Occasionally a pigment (usually an ochre or other earth pigment) was added to provide tint or color.

Distemper: used for interior applications, were made from water, glues (one or more different natural glues, gelatine, and gums) with whiting as the basic white pigment to which other tinting pigments were added.

Calcimine, or kalsomine: often used on interior surfaces and is another common name for distemper.

Tempera: paint prepared with pigment, egg yolk or white and water; used almost exclusively for decorative treatments.

Gouache: a waterbased paint made of whiting, pigment, water, and gum arabic as the binder; used almost exclusively for decorative treatments.

Milk-based paint:

Casein: also called milk paint, was made with hydrated (slaked) lime, pigment, and milk. Most often oil was added, making a strong emulsion paint. Various recipes call for a large variety of additives to increase durability. Casein paints were also used for exterior surfaces.


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