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"Preserving Historic Ceramic Tile Floors" an Historic Preservation Brief September 6, 2008


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Preserving Historic Ceramic Tile Floors

Anne E. Grimmer and Kimberly A. Konrad
Preserving Historic Ceramic Tile Floors

What's in this article



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Introduction

The Tile-Making Process

Historical Background

Ceramic Floor Tile Types

Laying Ceramic Tile Floors

Preservation and Maintenance

Damage and Deterioration Problems

Repair and Replacement

Summary

Selected Reading

Some Sources for Replacement Tiles

Helpful Organizations

Acknowledgements


Return to the Knowledge Base

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Ceramic Floor Tile Types

The thickness of historic ceramic floor tiles varied considerably according to their intended use and when they were made. Floor tiles were thicker and harder than wall or ceiling tiles. Stove tiles, meant to retain the heat of the stove, were sometimes as much as several inches thick. Medieval floor tiles were usually one inch thick; encaustic tiles of the Victorian era tended to be slightly thinner. Modern, 20th-century tiles, with the exception of some art pottery tiles, are the thinnest, as a result of modern manufacturing methods. The backs of most, but not all, ceramic floor tiles are covered with raised (or sometimes recessed) ridges, circles or squares which help to increase the bonding capability of the tile.

Unglazed and Glazed Tiles

Ceramic floor tiles can generally be divided into two types: unglazed and glazed. Unglazed tiles include: quarry tiles; encaustic and geometric tiles; and ceramic mosaic tiles, which can be either glazed or unglazed. Most other ceramic floor tiles are glazed.

Unglazed Tiles

Quarry tiles are the most basic type of historic ceramic floor tile. Originally made from quarried stone, they are machine-made using the extrusion process. Quarry tiles are unglazed, semi-vitreous or vitreous, and essentially are square or rectangular slabs of clay baked in a kiln. The colors of quarry tiles are natural earthen shades of gray, red and brown determined by the clay and, to some extent, the temperature and duration of firing. Quarry tiles, which range from ¼" to ½" in thickness, are available in square and rectangular shapes in sizes that include 3", 4-1/4", 6" (one of the most common sizes), 9" and 12" squares; 6" x 12", 6" x 9", 4-1/4" x 9", 3" x 6", and 3" x 9" rectangles; and 4" x 8" hexagon shapes. (Pavers or paver tiles are a simpler, and tend to be somewhat cruder, version of quarry tiles. Like quarry tiles, they are usually unglazed, but slightly thicker. Machine-made pavers are either semi-vitreous or vitreous, and generally formed by dust-pressing, although sometimes are extruded. Hand-made pavers which are common in Mexico and southern Europe are non-vitreous.)

Encaustic tiles are a type of traditional unglazed-yet decorative-floor tile, manufactured by the dust-pressed method.

wearing down of tiles by heavy foot traffic
Encaustic floor tiles were decorated with traditional as well as original designs. Over time, the decorations can be worn thin by heavy traffic. Photo: NPS files.
Whereas most ceramic tiles are surface-decorated or decorated with impressed or embossed designs created by a mold, encaustic tiles are unique in that their decorative designs are not on the surface, but are inlaid patterns created as part of the manufacturing process. First, a thin, approximately ¼" layer of fine, almost powder-dry, clay was pressed into a mold with a relief design at the bottom which formed a depression in the face of the tile. A second, thicker layer of coarser clay was laid over the first layer, then covered with another layer of fine clay. This "sandwich" helped prevent warping and ensured that the body of the tile was strong and had a fine, smooth surface. The layers of clay "dust" were compacted by presses, after which the mold was inverted and the die removed, thus producing a tile with an indented or intaglio pattern on top. After the tile dried, colored slip (liquid white clay colored with dyes), was poured to fill in the intaglio pattern. Each color had to dry before another color of slip was added. The recessed area was overfilled to allow for shrinkage, and after drying for several days, and before firing, the excess slip was scraped off the surface by a rotating cutter that created a flat, although not completely smooth, face. Problems might arise during the firing. Due to the dissimilar rates of contraction of the different clays, the inlaid clay could shrink too much and fall out of the tile recesses; or, the tile could be stained by the different pigments used for the design if impure or unstable.

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