All features that contribute to the landscape's historic character should
be recorded. These include the physical features described above (e.g.
topography, circulation), and the visual and spatial relationships that
are character defining. The identification of existing plants, should be
specific, including genus, species, common name, age (if known) and size.
The woody, and if appropriate, herbaceous plant material should be accurately
located on the existing conditions map. To ensure full representation of
successional herbaceous plants, care should be taken to document the landscape in
different seasons, if possible.
Treating living plant materials as a curatorial collection has also been
undertaken at some cultural landscapes. This process, either done manually
or by computer, can track the condition and maintenance operations on individual
plants. Some sites, suchas the Frederick Law Olmsted National Historic
Site, in Brookline, Massachusetts have developed a field investigation numbering
system to track all woody plants. Due to concern for
the preservation of genetic diversity and the need to replace significant
plant materials, a number of properties are beginning to propagate historically
important rare plants that are no longer commercially available, unique,
or possess significant historic associations. Such herbarium collections
become a part of a site's natural history collection.
Once the research and the documentation of existing conditions have been
completed, a foundation is in place to analyze the landscape's continuity
and change, determine its significance, assess its integrity, and place
it within the historic context of similar landscapes.
Reading the Landscape
A noted geographer, Lewis Pierce, stated, "The attempt to derive meaning from landscapes
possesses overwhelming virtue. It keeps us constantly alert to the world
around us, demanding that we pay attention not just to some of the things
around us but to all of them--the whole visible world in all of its rich,
glorious, messy, confusing, ugly, and beautiful complexity."
Landscapes can be read on many levels--landscape as nature, habitat, artifact, system, problem, wealth, ideology, history, place and aesthetic. When developing a strategy to document a cultural landscape, it is important to attempt to read the landscape in its context of place and time.
Reading the landscape, like engaging in archival research, requires a
knowledge of the resource and subject area as well as a willingness to be
skeptical. As with archival research, it may involve serendipitous discoveries. Evidence gained from reading the landscape may confirm or contradict other findings and may encourage the observer and the historian to re-visit both
primary and secondary sources with a fresh outlook. Landscape investigation
may also stimulate other forms of research and survey, such as oral histories
or archeological investigations, to supplement what appeared on-site.