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"Removing Graffiti from Historic Masonry" an Historic Preservation Brief July 5, 2008


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Removing Graffiti from Historic Masonry

Martin E. Weaver
Removing Graffiti from Historic Masonry

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Introduction

Identifying the Graffiti and the Masonry

Graffiti Removal Methods and Materials

Testing

Health and Safety Considerations

Environmental Considerations

Barrier Coatings

Preventing and Controlling Graffiti

Summary

Selected Reading

Development of a Treatment Plan

Criteria to Consider Before Selecting a Barrier Coating

Tips for Successful Graffiti Removal

Acknowledgements


Return to the Knowledge Base

Introduction

Removing graffiti as soon as it appears is the key to its elimination--and recurrence. Thus, the intent of this Preservation Brief is to help owners and managers of historic masonry structures find the best way to remove exterior, surface-applied graffiti* quickly, effectively, and safely. The Brief will discuss the variety of materials used to apply graffiti, and offer guidance on how to remove graffiti from all types of historic masonry without harming either the surface or the substrate. Suggestions will also be given regarding the use of physical barriers to protect masonry surfaces from graffiti, and the application of barrier coatings to facilitate graffiti removal. Building managers and owners of historic properties will be advised on the importance of being prepared for rapid graffiti removal by testing different cleaning techniques in advance in order to select the most appropriate and sensitive cleaning technique. Health and safety and environmental concerns are addressed, as well as regulatory matters. Removing graffiti without causing damage to historic masonry is a job for trained maintenance crews, and in some cases, professional conservators, and generally should not be attempted by untrained workers, property owners or building managers. Although the focus of this Preservation Brief is on historic masonry, the same guidance may be applied equally to removing graffiti from non-historic masonry.

Identifying the Graffiti and the Masonry

Successful graffiti removal from historic masonry depends on achieving a balance between breaking the bond between the graffiti and the masonry surface without damaging the masonry.

This generally requires knowledge both of the materials used to make the graffiti and the masonry on which the graffiti has been executed, as well as knowledge of cleaning methods and materials. Without this, masonry surfaces can be badly disfigured or damaged during graffiti removal.

*The word graffito (graffiti, plural) -- is derived from the old Italian diminutive of graffio-to scratch, and the Latin graphire-to write. Graffiti in contemporary usage has come to mean an inscription, drawings, or markings. Except in very formal or technical applications, graffiti is generally considered a "mass" noun and paired with a singular verb.

inappropriate abrasive blasting
Inappropriate abrasive blasting to remove the graffiti has permanently etched the graffiti into the stone. Photo: NPS files.

Graffiti. Most graffiti is made with spray paints. Although a number of solvents and paint strippers are capable of dissolving or breaking down these paints, some may permanently discolor or stain the masonry surface if not used correctly. As a result, the remaining paint may become more difficult, or even impossible, to remove. Poorly thought-out and generally hasty attempts to remove graffiti using harsh chemicals or abrasives can also cause permanent damage to the masonry that may be worse than the graffiti.

The ability to identify the graffiti material is an important step in successful removal. Numerous kinds of spray paint (polyurethanes, lacquers, and enamels), and brush-applied paints (oils and synthetic resins such as vinyls, acrylics, acetates, methacrylates, or alkyds), as well as permanent felt markers are the materials most often used to make graffiti. But other materials are also used for graffiti, including water-soluble felt markers, ballpoint pens, chalk, graphite and colored pencils, pastels, wax and oil crayons, liquid shoe polish, and lipstick. The range of materials adopted by graffitists continues to expand.


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