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"The Preservation and Repair of Historic Stained and Leaded Glass" an Historic Preservation Brief November 21, 2008


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The Preservation and Repair of Historic Stained and Leaded Glass

Neal A. Vogel and Rolf Achilles
The Preservation and Repair of Historic Stained and Leaded Glass

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Introduction

Historical Background

Dating and Documenting Historic Leaded Glass

Photographing Stained Glass Windows

Deterioration of Stained and Leaded Glass

Came Types and Properties

Cleaning, Repair, Restoration, and Protection

Domes and Ceilings

Conclusion

Selected Reading

Acknowledgements


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Historical Background

Glassblowers were among the founders of Jamestown in 1607, and early glass manufacturing was also attempted in 17th-century Boston and Philadelphia. Dutch colonists in the New Netherlands enjoyed painted oval or circular medallions that bore the family's coat of arms or illustrated Dutch proverbs. German colonists in the mid-Atlantic region also began early glass ventures. Despite the availability of good natural ingredients, each of these early American glassmakers eventually failed due to production and managerial difficulties. As a result, colonists imported most of their glass from England throughout the 17th and 18th centuries.

interior foyer doors
These interior foyer doors deliver dazzling daylight deeper into an 1880s house originally illuminated by gaslight. Photo: Neal A. Vogel.

Social values as well as high costs also restricted the use of stained and other ornamental glass. This was particularly true with regard to churches. The Puritans, who settled New England, rejected the religious imagery of the Church of England, and built simple, unadorned churches with clear glass windows. Consequently, not much glass remains from the colonial and early national periods. Less than 1% of the Nation's stained and leaded glass predates 1700. Considering the enormous loss of 17th-, 18th-, and early 19th-century buildings, any window glass surviving from these periods is very significant. Every effort should be made to document and preserve it.

Despite many failed starts, the War of 1812, and British competition, American glass production increased steadily throughout the 19th century. Stained glass was available on a very limited basis in America during the first quarter of the 19th century, but American stained glass did not really emerge in its own right until the 1840s. The windows at St. Ann and the Holy Trinity Episcopal Church in Brooklyn, New York, made by John and William Jay Bolton between 1843 and 1848, are perhaps the most significant early American stained glass installation. Other important early stained glass commissions were the glass ceilings produced by the J. & G. H. Gibson Company of Philadelphia for the House and Senate chambers of the United States Capitol in 1859.

America's glass industry boomed during the second half of the 19th century. (And although stained and leaded glass is found nationwide, the manufacturing was based in the Northeast and Midwest, where good natural ingredients for glass, and coal reserves for the kilns were available. Moreover, nearly all of the nationally renowned studios were based in major metropolitan areas of the central and northeastern states-near the manufacturers that supplied their raw materials.) In response to this growth, the industry formed self-regulating associations that established guidelines for business and production. In 1879 the Window Glass Association of America was established, and, in 1903, The National Ornamental Glass Manufacturers' Association, precursor of the Stained Glass Association in America, was formed.


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