Certain deterioration in glazed architectural terra-cotta may be
on the building surface and patently obvious to the casual observer--crazing,
spalling, deterioration of mortar joints. Other deterioration
may be internal or within the masonry system and hard to determine--deterioration
of anchoring, deterioration behind the glaze, crumbling of internal
webbing. Prima facie, "first inspection," examination
may indicate surface deterioration problems while not revealing
others. This demonstrates one of the most frustrating aspects
of dealing with deteriorated glazed architectural terra-cotta:
that there are two systems or levels of deterioration, one which
is visible and the other which is not.
Material spalling is the result of excessive expansion of the porous tile body caused by water and freezing temperatures. This is a serious condition, often difficult to repair. Photo: NPS files.
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Material failure in glazed architectural terra-cotta is necessarily
complex. For this reason, it is generally advised that the examination
and repair of this material should be the responsibility of an
experienced professional. Few restorationists have experience
in the inspection, repair and replacement of glazed architectural
terra-cotta. This is certainly never the province of the amateur
or the most well-intentioned but inexperienced architect or engineer.
There are some methods of internal and external inspection and
analysis which are relatively simple to the trained professional.
Other methods, however, are expensive, time consuming, and only
in the experimental stage at this writing. These all generally
preclude the use of anyone but an experienced professional.
Preliminary cleaning: Before a terra-cotta building is analyzed
for deterioration, it is often advisable, but not always necessary,
to clean the surface of the material. This is particularly true
when the material has been exposed to the vicissitudes of heavy
urban pollution. While most building materials are cleaned for
"cosmetic" purposes, the cleaning of glazed architectural
terra-cotta for the purpose of inspection and analysis may be advised.
Dirt on glazed architectural terra-cotta often hides a multitude
of problems. It is only with cleaning that these problems become
obvious. Recommended cleaning procedures are covered later in
the report.
Methods of inspection:
Prima facie analysis is the unit by unit, firsthand, external
inspection of the glazed architectural terra-cotta building surface.
Special note of all visible surface deterioration (staining, crazing,
spalling, cracking, etc.) should be made on elevation drawings.
Binoculars are often used where cost, height, or inaccessibility
prevent easy inspection. However, much deterioration may go unnoticed
unless scaffolding or window-washing apparatus is used in a true
"hands on" inspection of each unit of the facade.
Tapping, a somewhat inexact method of detection of internal deterioration
is, nevertheless, the most reliable inspection procedure presently
available. Quite simply, tapping is the striking of each unit
with a wooden mallet. When struck, an undamaged glazed architectural
terra-cotta unit gives a pronounced ring, indicating its sound
internal condition. Conversely, deteriorated units (i.e., units
which are failing internally) produce a flat, hollow sound. Metal
hammers are never to be used, as they may damage the glazed surface
of the unit. Extensive experience is the best teacher with this
inspection method.
Infrared scanning is only in the experimental stage at this time,
but its use seems to hold great promise in locating deteriorated
internal material in terra-cotta. All materials emit heat--heat
which can be measured in terms of infrared light. While infrared
light cannot be seen by the human eye, it can be measured by infrared
scanning. Infrared photography, a kind of infrared scanning, has
been of particular use in detecting sources of heat loss in buildings
in recent years. Broken or loose internal terra-cotta pieces have
a less firm attachment to the surrounding firm or attached pieces
and, therefore, have different thermal properties, i.e., temperatures.
These temperature differences become evident on the infrared scan
and may serve as a fair indication of internal material deterioration
in terra-cotta.
Sonic testing has been successfully used for some time to detect
internal cracking of concrete members. In the hands of an experienced
operator, there are conditions where it can detect internal failure
in glazed architectural terra-cotta. Sonic testing registers the
internal configuration of materials by penetrating the material
with sound waves and reading the patterns that "bounce back"
from the originating source of the sound. Readings at variance
with those from undeteriorated material might indicate collapsed
webbing or pools of water in the interior of the terra-cotta unit.
Metal detection is a non-destructive and generally useful way of
locating the position of internal metal anchoring. Metal detectors
indicate the presence of metals by electromagnetic impulses. These
impulses are transmitted onto an oscilloscope where they may he
seen or they are converted to sound patterns which may be heard
by the operator. Original drawings are eminently useful in predicting
where internal metal anchoring should be. Metal detectors can
confirm that indeed they are still there. Without original drawings,
the contractor or architect can still locate the metal
anchoring,
however. No reading where an anchor would be expected could indicate
a missing anchor or one that has seriously deteriorated. The information
produced by metal detection is, at best, only rough. However,
it is the most viable way of locating the internal metal anchoring
without physically removing, thus irreparably damaging, the glazed
architectural terra-cotta units themselves.
Laboratory analysis may be carried out on samples of removed original
material to find glaze absorption, permeability or glaze adhesion,
or to evaluate material for porosity. These tests are useful in
determining the present material characteristics of the historic
glazed architectural terra-cotta and how they may be expected to
perform in the future.