Repairing Historic Sign Materials
Porcelain Enamel. Porcelain enamel is among the most durable of materials
used in signs.(8) Made of glass bonded onto metal (usually steel) at high
temperatures, it keeps both its high gloss and its colors for decades.
Since the surface of the sign is essentially glass, porcelain enamel is
virtually maintenance free; dirt can be washed off with soap and water
and other glass cleaners.
Porcelain enamel signs can be damaged by direct blows from stones and
other sharp objects. If both the enamel surface and the undercoat are scratched,
the metal surface can rust at the impact site. Because the bond between
glass and metal is so strong, however, the rust does not "travel"
behind the glass, and the rust is normally confined to localized areas.
The sign edges can also rust if they were never enamelled. To treat the
problem, clean the rust off carefully, and touchup the area with cold enamel
(a type of epoxy used mostly in jewelry), or with enamel paints.
Dents in porcelain enamel signs should be left alone. Attempting to
hammer them out risks further damage.
Goldleaf or Gilding. Goldleaf or gilding is both elegant and durable.
These properties made it among the most popular sign materials in the nineteenth
and early twentieth centuries. Surface-gilded signs (for example, gilded
raised letters or symbols found on the exterior) typically last about 40
years. Damage to these signs occurs from weather and abrasion. Damage to
gilded signs on glass normally occurs when the protective coating applied
over the gilding is removed by harsh cleaning chemicals or scratched by
scrub brushes. The sign can then flake upon subsequent cleanings.
Historic gilded signs can be repaired, typically by regilding damaged
areas. An oil size is painted on the surface. The gold leaf is applied
when the surface has become sufficiently "tacky." Similarly,
historic "reverse on glass" goldleaf signs can be repaired--by
experts. A sample of the flaking sign is first taken to determine its composition.
Reverse on glass signs use goldleaf ranging from 12 to 23 karats. The gold
is alloyed with copper and silver in varying amounts for differences in
color. (Surface gilding--on raised letters, picture frames and statehouse
domes--uses 23 karat gold. Pure gold, 24 karat, is too soft to use in such
applications.) The damaged portions of the sign are then regilded in the
same manner as they were done historically: the inside surface of the glass
is coated with a gelatin; gold leaves about three inches square are then
spread over the area. The new letter or design is then drawn in reverse
on the new leaf, and coated with a backing paint (normally a chrome yellow).
With the new design thus sealed, the rest of the leaf is removed. The sign
is then sealed with a clear, water-resistant varnish.