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"The Preservation of Historic Signs" an Historic Preservation Brief January 9, 2009


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The Preservation of Historic Signs

Michael J. Auer
The Preservation of Historic Signs

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Introduction

Historic Sign Types and Practices

        Pre-Nineteenth Century

              Flat signs

        Nineteenth Century Signs and Sign Practices

              Fascia signs

              Painted signs

              Plaques, shields, and ovals

              Hanging or projecting signs

              Goldleaf signs

              Porcelain enamel signs

              Posters

              Awnings

              Rooftop signs

        Twentieth Century Signs and Sign Practices

              Neon

Sign Regulation

Sign as Icon

Preserving Historic Signs

        Retaining Historic Signs

        Maintaining and Repairing Historic Signs

        Reusing Historic Signs

        Repairing Historic Sign Materials

              Porcelain Enamel

              Goldleaf or Gilding

              Neon

New Signs and Historic Buildings

Conclusion

Selected Reading

Notes

Acknowledgements


Return to the Knowledge Base

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Twentieth Century Signs and Sign Practices

The advent of the twentieth century approximately coincided with the coming of electricity, which gave signs light and, later, movement. Illuminated signs were not unknown before electricity. An advertisement printed about 1700 mentioned a night time sign lit by candles, and in 1840 the legendary showman P.T. Barnum built a huge sign illuminated by gas.(2) But electricity was safer and cheaper than candles, kerosene and gas. Its widespread use gave signs a prominence they retain today: illuminated signs dominate the streets at night.

sign built into a storefront
In the 1930s and 1940s, signs built into storefronts became popular. This example is from Guthrie, Oklahoma. Photo: NPS files.

Electricity permitted signs to be illuminated by light shining onto them, but the real revolution occurred when lightbulbs were used to form the images and words on signs. Lightbulbs flashing on and off made new demands on the attention of passersby. Lightbulbs blinking in sequence could also simulate movement. Add this property to the mix, and a dramatic transformation of American streets resulted.

Moving signs were not unknown prior to the advent of electricity, for wind-driven signs had made their appearance in the nineteenth century. But electricity gave signs an unparalleled range of motion. This movement added yet another element to the life of the street.

Neon is another great twentieth-century contribution to the signmaker's art. "Neon," coined from the Greek word for "new," is a "new gas." It has the useful property of glowing when an electric charge passes through it. (Argon, krypton, xenon and helium share this property. Only neon and argon, however, are typically used in commercial signs.) Encased in glass tubes shaped into letters or symbols, neon offered signmakers an opportunity to mold light into an infinite variety of shapes, colors, and images. Combined with an electric timer, the neon tubing could present images moving in succession.

Neon first appeared in signs in the 1920s, and reached its height of popularity in the 1940s. The first documented neon commercial sign in the United States was at a Packard Motor Car dealership in Los Angeles in 1923.(3) After a period of decline, it underwent a renaissance, beginning in the 1970s. Artists experimented with neon as a conscious art-form, and several notable architects further helped in its revival.(4) Renewed interest in this colorful medium also sparked interest in preserving historic neon signs.


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